Review | Play ‘Anahita’s Republic’ gives a sharp-edged view of the…
Anahita’s RepublicBy Hengameh E. Rice. Directed by Brenley Charkow. At Factory…
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Review | Cliff Cardinal is a master of emotional manipulation in ‘The…
The Land Acknowledgement, or As You Like It Written by and starring Cliff Cardinal.…
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Review | Epic ‘Mahabharata’ at the Shaw Festival feels urgent yet…
MahabharataWritten and adapted by Ravi Jain and Miriam Fernandes, using poetry from…
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Review | National Ballet’s latest Cinderella a perfectly sweet revival…
CinderellaNational Ballet of Canada. Choreographed by James Kudelka. At the Four…
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Review | ‘Fairview’ at Canadian Stage asks white audiences to consider…
FairviewWritten by Jackie Sibblies Drury. Directed by Tawiah M’Carthy. At the…
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Review | ‘The Darkest Dark’ successfully brings Chris Hadfield’s…
The Darkest DarkWritten by Jim Millan and Ian MacIntyre, based on the book by Chris…
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Review | How do you solve a problem like ‘Rock of Ages’? You can’t,…
Rock of AgesBook by Chris D’Arienzo, featuring songs by Styx, Journey, Bon Jovi, Pat…
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Review | ‘Hamilton’ is back in Toronto and it really is that good
HamiltonBook, music and lyrics by Lin-Manuel Miranda. Directed by Thomas Kail.…
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Review | Sanaz Toossi’s ‘English’ unpacks the complexity of navigating…
EnglishBy Sanaz Toossi, directed by Anahita Dehbonehie and Guillermo Verdecchia.…
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Review | ‘Redbone Coonhound’: A couple’s heated disagreement about a…
Redbone CoonhoundWritten by Amy Lee Lavoie and Omari Newton, directed by Micheline…
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