Legendary composer Burt Bacharach, behind hits like I Say a Little Prayer, dead at 94 | CBC News

Burt Bacharach, the singularly gifted and popular composer and Oscar winner who delighted millions with the quirky arrangements and unforgettable melodies of Walk on By, Do You Know the Way to San Jose and dozens of other hits, has died at 94.

Bacharach died Wednesday at home in Los Angeles of natural causes, publicist Tina Brausam said Thursday.

Over the past 70 years, only Lennon-McCartney, Carole King and a handful of others rivalled his genius for instantly catchy songs that remained performed, played and hummed long after they were written.

He had a run of top-10 hits from the 1950s into the 21st century, and his music was heard everywhere from movie soundtracks and radios to home stereo systems and iPods, whether Alfie and I Say a Little Prayer or I’ll Never Fall in Love Again and This Guy’s in Love with You.

Dionne Warwick was his favourite interpreter, but Bacharach, usually in tandem with lyricist Hal David, also created prime material for Aretha Franklin, Dusty Springfield, Tom Jones and many others.

Elvis Presley, the Beatles and Frank Sinatra were among the countless artists who covered his songs, with more recent performers who sung or sampled him including the White Stripes, Twista and Ashanti.

Walk On By alone was covered by everyone from Warwick and Isaac Hayes to the British punk band the Stranglers and Cyndi Lauper.

Innovator and throwback

Bacharach was both an innovator and throwback, and his career seemed to run parallel to the rock era. He grew up on jazz and classical music and had little taste for rock when he was breaking into the business in the 1950s.

It began with the melodies — strong yet interspersed with changing rhythms and surprising harmonics. He credited much of his style to his love of bebop and to his classical education, especially under the tutelage of Darius Milhaud, the famed composer. 

He was born in Kansas City, Missouri, but soon moved to New York City. His father was a syndicated columnist, his mother a pianist who encouraged the boy to study music. Although he was more interested in sports, he practiced piano every day after school, not wanting to disappoint his mother.

While still a minor, he would sneak into jazz clubs, bearing a fake ID, and hear such greats as Dizzy Gillespie and Count Basie.

“They were just so incredibly exciting that all of a sudden, I got into music in a way I never had before,” he recalled in the memoir Anyone Who Had a Heart, published in 2013. “What I heard in those clubs turned my head around.”